Showing posts with label Chien Wan-li. Show all posts
Showing posts with label Chien Wan-li. Show all posts

Margaret's Moods: Photos by Chien Wan-Li


Here are some more photos by Chien Wan-li from Southern Screen No. 36 (February 1961). This time it's an exclusive photo shoot of Margaret Tu Chuan. A complete scan of the original article is available here.

Contrary to the studio copy below, I'm struck not so much by Margaret's "eager freshness" as by her petulant pout, pensive melancholy, and mischievous tongue and wrinkled nose.

Chien Wan-li's photos go deeper than the usual glamorous veneer and capture the complexity of Shaw's "Wild Girl".



Chien Wan-li Shoots Tu Chuan

One of the foremost photographers in the world is Chien Wan-li of Hongkong. His works are chosen for most of the important photographic salons.

In 1958 he was the most awarded photographer in world salons and ranked among the top ten photographers in the world. He is also an Associate of the Royal Photographic Society.

Recently he decided to pick Shaw star Margaret Tu Chuan as a subject. He chose the outdoors as a setting for Tu Chuan.

His rich imagination and expert use of natural light is clearly shown in this series of pictures of Tu Chuan.

He sees in her not just a beautiful girl but also the spirit of youth, in all their eager freshness.

Some of his works are seen on this page. Among them are "Youth", "Silken Tresses", "Fond Memories", "Maid of the Forest" and "Reverie".

Shaw Stars: Through the Photographer's Lens

Here are some wonderful portraits taken by some of Hong Kong's top photographers of the time. The only one I was able to find any information about was Chien Wan-li (aka Manly Chin), who published a book called The Painterly Lens (1992, Oxford University Press). Chien was elected one of the world's ten most outstanding photographers 14 years in a row by the American Photographic Society and is known today for his remarkable photographs that mimic Chinese watercolor paintings.

It so happens that my two favorite photos of the bunch — Lam Fung and Fanny Fan — are both shot by him.



Patricia Lam Fung
photograph by Chien Wan-li



Fanny Fan Lai
photograph by Chien Wan-li



Pearl Au Kar-wai
photograph by Chien Wan-li



Tong Dan
photograph by Lee Ching-wah



Diana Chang Chung-wen
photograph by Wai Ka-lai



Lee Man
photograph by Chin Ho



Margaret Tu Chuan
photograph by Wong Shiu-gun


* The original article appeared in Southern Screen No. 34 (December 1960).
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