Showing posts with label Lucilla Yu Ming. Show all posts
Showing posts with label Lucilla Yu Ming. Show all posts

Soft Film Goes to the Beach

Here's a trio of treasures that I brought back from my recent trip to Hong Kong and Kuala Lumpur. First up is a rare swimsuit photo of Lucilla Yu Ming — right on the cusp of sweet sixteen — gracing the cover of Screen Voice (August 1952). Lucilla made her debut that year at Shaw and Sons with the film Love in Bloom (玉女懷春).



Now we move from sweet to saucy with the following cover of Spotlight (ca. 1956), featuring baby bombshell Man Lei Hung in a delicious cheesecake pose. She signed up with Shaw's Cantonese division in 1956 but eventually switched to the studio's Mandarin division, where she was reborn as the one and only Fanny Fan.



And last but not least, here's lovely tomboy Allyson Chang Yen on the cover of Companion (September 16, 1964). Like Fanny, she was a product of Shaw's Cantonese unit. When it shut down in 1963, Allyson was kept on by the studio but never quite found a place in the spotlight among the new crop of starlets (Li Ching, Chin Ping, Cheng Pei-pei, et al.).

Yu Ming and Lin Dai: Double Happiness


I don't think I've ever seen a lovelier pair of smiles! A big thanks to Oldflames, who dropped this in my inbox this morning.

Yu Ming: One... Two... Three... Smile!


From International Screen No. 37 (November 1958)

Yu Ming: Making Faces

Here's a cute pictorial featuring a young Lucilla Yu Ming from a 1954 movie magazine (sorry, I'm too lazy right now to decipher the title). It reminds me of photobooth pictures. A scan of the original spread is available here.







Lucilla Yu: Students' Idol


This photo from Southern Screen No. 3 (February, 1958) charmingly epitomizes the girl-next-door qualities of Lucilla Yu Ming. Looking at it makes me want to spend the afternoon with her — chaperoned, of course — listening to 45s and sipping sodas through a straw!

An article a few issues later (No. 6) further illustrates Lucilla Yu's simple elegance. Apparently, by this time she had changed her English name from Teressa (as seen in the photo above) to Lucilla. A scan of the original article is available here. (BTW, I couldn't help making a few grammatical corrections in my transcription below.)


Lucilla Yu Ming
Idol of the Students


The daughter of an eminent Cantonese opera star, Lucilla Yu Ming is one of the top film actresses in the Mandarin pictures. Contracted with Shaw's Studio for several years, she's become one of the stars most adored by the students. Believing in Catholicism, she goes to church more often than night clubs. With no makeup at all whenever off the screen, she spends most of her time reading. The pictures here show that she looks more like a student than a movie star.


Just a few months after this article appeared, Lucilla left Shaw Brothers, where she had got her start in 1952, and switched over to MP&GI. It was a good move: the first two films she made for the Cathay Organisation, Her Tender Heart (1959) and All in the Family (1959), garnered her consecutive Best Actress awards at the Asia Film Festival.

Broadway Beckons to Yu Ming


"No, thank you," says Yu Ming.

I was surprised to find this news item when I was flipping through the pages of International Screen No. 34 (August, 1958). Lucilla Yu Ming appearing on Broadway in Flower Drum Song?! How's that for an alternate reality!

I presume she was being considered for the role of Mei Li, the fresh-off-the-boat picture bride. I've been unable to find further confirmation that she was indeed under consideration for the role, but in American newspapers it was already being announced by the end of July that the role was given — not surprisingly — to Miyoshi Umeki, who had just won an Oscar for her supporting role in Sayonara (1957). It was the first time an Asian actress was nominated for an Academy Award and would not be repeated until fifty years later when Rinko Kikuchi was nominated for her supporting role in Babel (2006).

Miyoshi Umeki starred in Flower Drum Song for its entire 17-month run on Broadway and received a Tony nomination in 1959 for Best Actress. In 1961 she reprised her role in the film version of the play. Umeki seems to have attained the glittery heavens of Hollywood, but by the end of the 60s she was playing a housekeeper in The Courtship of Eddie's Father and retired after the show was canceled in 1972.

As much as I'm curious to see what it would have been like to have Yu Ming star in Flower Drum Song, it is undeniably a good thing that she stayed in Hong Kong. Indeed, she went on to garner a Best Actress award at the Asia Film Festival two years in a row for her roles in Her Tender Heart (1959) and All in the Family (1959), and she also won Best Actress at the first Golden Horse Awards for her work in Sun, Moon and Star (1961). Not only that, Yu Ming became a huge star in Japan when she starred alongside Japanese heartthrob Akira Takarada (of Godzilla fame) in a trilogy of films co-produced by Cathay/MP&GI and Toho: A Night in Hong Kong (1961), Star of Hong Kong (1962), and Tokyo, Hong Kong, Hawaii (1963). Who needs Hollywood?!

Anyway, here is the article from International Screen. A scan of the original is also available as a PDF.

Broadway Beckons to Yu Ming

Leading Mandarin movie star Li Li-hwa went to the United States mainly to make pictures. Her first in Hollywood "China Doll" has been completed. The undisputed best actress in Asia Lin Dai went over there to study English and dramatics. She has also achieved her purpose. Yu Ming, a third eminent stellar actress of Mandarin movies, has gone to the States after having been signed up by MP&GI. She makes the trip just "to see the world." However, the hawk-eyed producers and talent scouts lost little time in contacting her. That world-known song-and-dance-man Gene Kelly met her in San Francisco. He wants her in a new musical stage show "Flower Drum Song". If the terms and part are all right and she signs the contract, she will probably return to New York from Hollywood in September to start rehearsing. Usually shows of this stature run for over two years. The songs of "Flower Drum Song" are the works of that inimitable team Rogers and Hammerstein.

Further Reading
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